The best books are ones that have realistic characters, ones that the reader can connect with on an emotional level whether it's a negative or positive emotion. A story that pulls you in, is usually a story that has real people that could be your friend, or your enemy, or you can put yourself in their place. It makes you want to know more about them. But in order to create that for readers, the characters in your story have to have depth. But how do you achieve that as a writer?
1. Give them a past. Most everyone has a reason for the way they act. Whether it's something that happened to them in childhood, something that happened in adulthood, just living day-to-day shapes us as people. When you give your characters a past, it brings them to life, shows us that they lived before this story and have a backstory that we can relate to them. It is the first string in connecting your characters to your readers. (Of course, you don't want to dump this past or "backstory" on your audience right away. Dole out morsels to keep interest high.)
2. Give them a personality. We all have different personalities and quirks. Make sure your characters have things that would make them identifiable and relatable. We all know someone with an overbearing parent or an absent parent. Someone who chews their nails or talks fast when they're nervous. Someone who smiles on the outside while suffering on the inside. Someone who's fun to be around. Someone who is a great listener. Give your characters a personality that will draw your readers to them.
3. Give them a position. Every story has a conflict or it wouldn't be a story. Put your characters in the right positions to add to the conflict. For example, in most books you have a hero or heroine who is afraid of something and during the course of the book they have to face that fear. Are they coming to that showdown from a position of strength or weakness? Does that position get better or worse through the course of the book? Most readers like to see character progression throughout, see that they've grown as a person by the time they read the last page. So, if you start your hero in a position of weakness, how does that advance the story? Can they end in a position of strength or is there more to be learned? And what position does the villain play throughout? Is his/her strength of position relatable to the hero/heroine? Careful placement here can really pull your readers right into the heart of your book.
There are many ways to make your characters realistic and relatable. But the point is, your story is stronger when you know your characters well. Do the extra homework in making your characters leap off the page. Your readers will thank you.
Who is your most memorable character from a fiction book? Mr. Darcy? Harry Potter? Edward?
Thursday, October 18, 2012
Wednesday, October 17, 2012
Word Count Wednesday & Halloween Flash Fiction
Well, with being sick, my brain has been mushy and I have no word count to offer besides the 400 words I wrote for the Halloween Flash Fiction. And that will be our key phrase for this week's installment of flash fiction, if you feel so inclined. Write 400 words and include somewhere in it the phrase, "my brain felt mushy."
Haha. I just know this one is going to be good. Leave your 400 words in the comment section.
How did you do on your word count this week?
Haha. I just know this one is going to be good. Leave your 400 words in the comment section.
How did you do on your word count this week?
Tuesday, October 16, 2012
Keeping Secrets--Last Night's Castle & Hawaii Five-O
I've been sick for the last little while so last night as I laid there watching my shows, I was tired and cranky. And I want to preface the review with that because, well, there are some things I'm not liking so far this season and last night magnified it.
Let's start with Castle. Castle and Beckett are going away to the Hampton's for the weekend. They have an almost giddy Castle waiting for it to be 5 p.m. so they can leave, happily showing her his house, and there is a pensive Kate sort of overwhelmed by the beauty and grandeur of the home. For a second I thought she might be thinking about how her world and Castle's world is so different, but then they had her say she was thinking about how many girls had gotten the tour of his home. Castle very sweetly says he doesn't deny bringing other women there, but they weren't her. Awww. And Nathan Fillion looks very good in blue. Just sayin'.
They're about to start their weekend when a man stumbles into the pool area all bloody and dies. Castle puts on his investigator hat while Kate sort of skulks around trying not to be seen and named. I thought her expression at being mistaken for a hooker was hilarious. I also thought we were going to get an episode where Castle could sort of take the "lead" in the investigation, but alas, while he did take the lead, they still portray him as bumbling which bothers me. It's funny for a while, but the reality is, Castle has sat in on four years worth of murder investigations. I would think by now he knows how to finesse a conversation instead of practically accusing a suspect in a restaurant with little more than a "hey, how ya doing, and did you murder the guy you fought with on the beach last night?" I seriously rolled my eyes. Why does Castle have to be bumbling all the time? Let him have learned under Kate's tutelage and let her be proud of him instead of slightly embarrassed. And Debra, did you hear the reference to Caskett? It was so funny they actually mentioned it on the show. I thought of you.
I did like the storyline, though, and the scene with Vinny the scar was funny. I really thought it was the police chief with how shifty he looked sometimes. Got me there, writers, so good job. And does anyone else think that Esposito is going to be really mad that he was the only one out of the loop on the secret? Yeah, that's going to be bad news I think.
Hawaii Five-O had a good plotline as well, but the decapitation (which was shown twice) was seriously gross. Like, gag-worthy gross, especially to a sick person watching the show. Throw in an old kidnapping where there was mutilation, and a car bomb, and you have an action-packed show. There were also two flying take-downs from Steve, which is his specialty. Suspects should never run. There should be a criminal's book of laws or something that says don't run from Steve McGarrett. It always ends badly. And the ones last night were extra special in that he took them down amid a polo game with horses everywhere and the other was over a bridge. The other ewwwww moment was when McGarrett had to give himself a tetanus shot. In his hip. But I just couldn't turn away.
The best part of the show for me was him and Catherine. When she gets the bat and says she's going with him and he says no, she's staying upstairs where it's safe and she's all, whatever, you're coming with me then, and leaves, the look on his face was priceless. I love strong women and Catherine wears that label so well.
But then we get into the soapy quagmire that is Steve's mother. It is too hard for me to believe that Steve lets her into his life so easily. His mom RUINED his family by deserting them, irrevocably changed Steve's life and the life of his sister and father, but hey, come on in mom. You want to move in? Okay. You want to make me breakfast? Great. I'm sorry, but that is so unbelievable to me. The scene where she tells him she can tell when something is bothering him in the truck was cringe-worthy. Believing your mom was dead affects you. Being sent away to protect you after your mom's death affects you. And it's all being brushed under the rug. Steve doesn't even make her work for it. He just smiles and goes along. And Christine Lahti is an amazing actress, but it seems like she's trying a little too hard here. I'm glad Steve told Danny he doesn't believe her, but it took him the entire episode to get up the guts to ask her about Wo Fat. Why is that? I would think he would be very suspicious of her and anything she does, but instead he looks a bit afraid and unable to face his mommy issues. Add that to the fact that she's playing him (with the scene of her mucking around in the floorboards for hidden film) and I'm sort of hating this storyline. *sigh* Bringing people back from the dead is tricky business if you're going to make it fly.
But back to the murder of the week---I was surprised at the son being the killer. I would have guessed the dad because that guy was so creepy. I'm sure my villain-picking skillz will pick up now that I'm on the mend.
Are you good at predicting the villains if you watch crime shows?
Let's start with Castle. Castle and Beckett are going away to the Hampton's for the weekend. They have an almost giddy Castle waiting for it to be 5 p.m. so they can leave, happily showing her his house, and there is a pensive Kate sort of overwhelmed by the beauty and grandeur of the home. For a second I thought she might be thinking about how her world and Castle's world is so different, but then they had her say she was thinking about how many girls had gotten the tour of his home. Castle very sweetly says he doesn't deny bringing other women there, but they weren't her. Awww. And Nathan Fillion looks very good in blue. Just sayin'.
They're about to start their weekend when a man stumbles into the pool area all bloody and dies. Castle puts on his investigator hat while Kate sort of skulks around trying not to be seen and named. I thought her expression at being mistaken for a hooker was hilarious. I also thought we were going to get an episode where Castle could sort of take the "lead" in the investigation, but alas, while he did take the lead, they still portray him as bumbling which bothers me. It's funny for a while, but the reality is, Castle has sat in on four years worth of murder investigations. I would think by now he knows how to finesse a conversation instead of practically accusing a suspect in a restaurant with little more than a "hey, how ya doing, and did you murder the guy you fought with on the beach last night?" I seriously rolled my eyes. Why does Castle have to be bumbling all the time? Let him have learned under Kate's tutelage and let her be proud of him instead of slightly embarrassed. And Debra, did you hear the reference to Caskett? It was so funny they actually mentioned it on the show. I thought of you.
I did like the storyline, though, and the scene with Vinny the scar was funny. I really thought it was the police chief with how shifty he looked sometimes. Got me there, writers, so good job. And does anyone else think that Esposito is going to be really mad that he was the only one out of the loop on the secret? Yeah, that's going to be bad news I think.
Hawaii Five-O had a good plotline as well, but the decapitation (which was shown twice) was seriously gross. Like, gag-worthy gross, especially to a sick person watching the show. Throw in an old kidnapping where there was mutilation, and a car bomb, and you have an action-packed show. There were also two flying take-downs from Steve, which is his specialty. Suspects should never run. There should be a criminal's book of laws or something that says don't run from Steve McGarrett. It always ends badly. And the ones last night were extra special in that he took them down amid a polo game with horses everywhere and the other was over a bridge. The other ewwwww moment was when McGarrett had to give himself a tetanus shot. In his hip. But I just couldn't turn away.
The best part of the show for me was him and Catherine. When she gets the bat and says she's going with him and he says no, she's staying upstairs where it's safe and she's all, whatever, you're coming with me then, and leaves, the look on his face was priceless. I love strong women and Catherine wears that label so well.
But then we get into the soapy quagmire that is Steve's mother. It is too hard for me to believe that Steve lets her into his life so easily. His mom RUINED his family by deserting them, irrevocably changed Steve's life and the life of his sister and father, but hey, come on in mom. You want to move in? Okay. You want to make me breakfast? Great. I'm sorry, but that is so unbelievable to me. The scene where she tells him she can tell when something is bothering him in the truck was cringe-worthy. Believing your mom was dead affects you. Being sent away to protect you after your mom's death affects you. And it's all being brushed under the rug. Steve doesn't even make her work for it. He just smiles and goes along. And Christine Lahti is an amazing actress, but it seems like she's trying a little too hard here. I'm glad Steve told Danny he doesn't believe her, but it took him the entire episode to get up the guts to ask her about Wo Fat. Why is that? I would think he would be very suspicious of her and anything she does, but instead he looks a bit afraid and unable to face his mommy issues. Add that to the fact that she's playing him (with the scene of her mucking around in the floorboards for hidden film) and I'm sort of hating this storyline. *sigh* Bringing people back from the dead is tricky business if you're going to make it fly.
But back to the murder of the week---I was surprised at the son being the killer. I would have guessed the dad because that guy was so creepy. I'm sure my villain-picking skillz will pick up now that I'm on the mend.
Are you good at predicting the villains if you watch crime shows?
Monday, October 15, 2012
Book Review: InDIVISIBLE
InDIVISIBLE by Ryan Hunter is a YA dystopian about a young girl named Brynn whose father is brutally murdered while at the office. Brynn's life is changed irrevocably by his death, but she starts to unravel more secrets about his life and how it directly relates to the government. One United is a country that controls everything about an individual through a hand sensor. They know when you've checked into your underground home, they know what you're saying, eating, and doing at any given time. As Brynn steps closer to the truth her father wanted her to have, her life and the life of her friend T are in danger, and they must flee everything they've ever known to find the Freemen.
I thought the main characters of Brynn and T were well-done and I really enjoyed the settings. At times, the dialogue seemed a bit repetitive and there were quite a few typos, but the overall story was one I could identify with and see parallels in our society today. There were some graphic scenes of murder and the action kept me turning pages, but I don't think I would let my younger teen read this one quite yet. I'm assuming there's going to be a sequel, not because of a cliffhanger ending, but because of a more open ending. Readers who like dystopian will like InDIVISIBLE.
Here's the back copy:
Brynn Aberdie has everything but freedom ... but everything has a way of changing.
When Brynn loses her family, her security, and her handouts, she is left with one choice, a choice that guarantees one of two things: freedom or death.
Brynn vows to find that freedom, and soon learns a lesson many in One United have already learned – by failing to protect their rights, Citizens have forfeited their lives with little hope to ever recover them.
Sunday, October 14, 2012
The Second Chapter of All Fall Down
For your reading pleasure I have posted the second chapter of my book, All Fall Down.
Copyright 2012 All Rights Reserved
Copyright 2012 All Rights Reserved
Chapter Two
"Ring around the rosy, a pocket full
of posies,” grated over the headset. The man’s voice sounded shakier than the
last time he’d recited the children’s rhyme.
“He’s reciting
it again.” Claire stabbed the mute button with her finger. “No matter what I
say, that’s all I get back. How am I supposed to negotiate for a hostage if all
he’ll do is repeat ‘Ring Around the Rosy?’” She chewed on the inside of her
cheek. “Do we have any psych reports on this guy?”
“Nothing new.
We’ve got the president of the company coming in to give us some idea of what
we’re dealing with here.” Captain Reed shuffled the papers in his hand¾the same ones he’d read three times already. “I
need a status report, people,” he said into his radio. “Where are we?”
Claire heard
their team check in. Almost done clearing the perimeter. Evacuation is ongoing.
Stairwells are cleared and elevators locked down. But it didn’t seem to satisfy
the captain. “Where is this company president? I thought he was on his way!” He
spoke to no one in particular as he paced, looking out the glass door as if the
guy they were waiting for would magically appear.
Claire cracked
her thumb knuckles. “You know I’ve got to go up on that roof.”
“No way.”
Captain Reed’s voice was firm. “Colby and Bart aren’t in position yet. We need
the information they can give us once they’re in place.” He brought the radio
back up to his mouth. “We have a visual?”
“No, sir,”
Claire heard Colby’s voice loud and clear on the radio.
“Captain, I
can get us a visual. Let me on that roof. I won’t be able to resolve this if I
can’t see him. I need to be there to read his body language instead of sitting
down here listening to a nursery rhyme.”
“It’s too
dangerous. You know that.”
Claire looked
over at her secondary negotiator, Steve Davis, for support, but he merely
shrugged before glancing at the captain in front of them. The message was
clear: he was the new guy and no way would he contradict the on-scene
commander. Claire understood, but some situations needed more than one perspective.
With a small
shake of her head, she pulled the mic of her headset down to her throat. Taking
a step toward Captain Reed, she used her most reassuring tone. “I’ll be fine.”
She drew herself up, giving him her most coaxing smile. It was a look she’d
perfected for situations like this.
“Don’t use
your do-what-I-say-and-you’ll-get-whatever-you-want tone on me,” he admonished.
Claire pulled
at the button on the sleeve of her blouse so she could roll it up. It’s
always worth a try. She turned back to the table and looked at her notebook
buying herself some time to decide what to do.
“Just keep
trying to talk to him. You know the drill¾keep
him calm and keep him talking. And a nursery rhyme is better than nothing. At
least we know he’s listening.”
Claire
released an inner sigh of disagreement and set her notebook back on the table.
That was the problem, he wasn’t talking at all, and her listening skills
alone wouldn’t get a hostage out of there safely. She wanted to see this guy.
Why was that so hard? She put the mic back to her mouth and took the headset
off mute. “Gary? Can I call you Gary? Are you still there?”
“Ashes,
ashes,” he said through the phone, his voice hesitating a bit before he
continued. “We all fall down.”
“Are you sure
there isn’t anyone you’d like to talk to? I’d like to help you out of this.”
She licked her lips. All she could hear through the phone was the wind on the
roof picking up and starting to whistle in the background. “Come on, Gary. It’s
not too late to go back. We can fix this.”
There was
silence on the other end for a moment and Claire shifted her weight from foot
to foot, waiting. She wanted to push through the law enforcement personnel
surrounding them and get up on that roof. It was only a hunch that she needed a
face-to-face in order to end this peacefully, but it was a strong one and she’d
learned long ago to go with her instincts.
“Ring around
the rosy,” he began again, his voice soft.
“Why don’t you
tell me what you want?” Claire rubbed her hand over her neck. A bead of sweat
ran down her back between her shoulder blades. For the first time since this
all started, Gary seemed to be fading a little. But what did that mean exactly?
She would know if she could just see his face.
“Does that
rhyme mean something to you? Tell me what it means and let me help you.”
There was
silence for a moment, then the heavy glass door behind her opened. A tall man
in an impeccable dark suit and tie entered, staring at her expectantly. She
cocked an eyebrow and muted her headset once again. He even had the little
handkerchief in his breast pocket that matched his tie. “I’m Vince Kelly. Have
you heard from my brother? Who’s in charge here? What have you guys got?”
“Captain Ron
Reed.” He shook Vince’s hand. “So far we don’t have much.”
Claire stuck
out her hand and Vince shook it. “Detective Claire Michaels.” He’s the
president? He looked like he’d barely graduated high school. She reached
her hand back to grab her notes and double-check what they had on him.
“What more do
you need? We’ve got to get my brother out of there.” Vince unbuttoned his suit
jacket and sat down. “The guy up there with him is Gary Holman, a fairly new
employee.”
“What do you
know about him?” Claire asked.
“He has some
pretty severe burns on his face from his tour of duty in Afghanistan. He served
with my brother. I know he’s good at his job here. Doesn’t talk much. Keeps to
himself.”
“What did he
do here exactly?”
“He works in
our research and development department. He’s got a lot of rough edges
personally, but he has a great knack for figuring out encryption and finding
hidden files.”
“Is that what
you do here?” Claire made another note, tapping her pen on the edge of the
table.
“Yes, we write
programs that help law enforcement with data recovery. You know, what criminals
try to hide, we expose. We just got a big contract from the Department of
Defense because of a program we developed for breaking encrypted files. What
used to take months, we can do in days.”
Either he
really believes in his product or he’s a slick salesman. Claire jotted down some notes in case she needed
the information later.
“I hear you’re
the acting president of Axis. Where’s the president?” the captain asked. The
question came out a little too bluntly, putting Vince even more on edge.
“My father had
a stroke. Listen, I could answer your questions a lot easier if I knew my
brother was safe.”
“We’re just
trying to get as much information as we can so we can get everyone out safely
Mr. Kelly,” Claire tapped her finger on her chin. “Has Gary been having any
problems lately? Have you noticed anything unusual?”
Vince let out
a breath and looked at the ceiling. “I don’t know. I heard he might have had a
few PTSD issues that he was dealing with. But he showed up for work and did his
job. We weren’t worried about it per se.”
Claire
straightened, going back to her position with the headset. “Do you think Gary
would talk to you?”
Vince
shrugged. “We could try.”
She turned to
the headset, taking it off mute, hope flaring in her chest for the first time
today. “Gary, we’ve got Vince Kelly here. He’d like to talk to you.” She handed
him the extra headset.
Gary’s voice
came through as little more than a whisper as he recited the rhyme again. “Why
is he repeating that?” Claire whispered to Vince. “Does that mean something?”
Vince closed
his eyes for a moment and his face visibly paled. “Gary was a field expert in
explosives. My brother told me that Gary used that rhyme when he was setting
munitions, so they could make sure they all had time to clear the area. As soon
as he said, all fall down, they took cover. It was an inside joke or
something.”
The hope that
flickered in Claire’s chest was instantly snuffed out. They had an explosives
expert with PTSD on the roof with a hostage? Her mind reeled. Think, Claire.
Think it through.
The room went
silent as Vince began to speak. “Gary? It’s Vince.” He took a deep breath. “I
don’t know what’s happening up there, but I don’t think you want to hurt Rafe.
You said once he’s like your brother. Let him help you. Or I can help you. I’ll
do whatever you want, just let Rafe go.” He was talking quickly, but he sounded
sincere. Claire held her breath.
Vince’s plea
was met with silence. He said Gary’s name a few more times, but Gary didn’t say
a word. With a defeated look, he handed the headset back to Claire.
Claire pushed
the mute button, trying to quickly piece together a strategy. “Tell me again
what you saw today, Mr. Kelly.”
Vince folded
his arms. “I was scheduled to meet with Rafe to talk over some family business,
but was held up on an important phone call. When I was through with the call,
Rafe still wasn’t there so I walked out to the lobby to look for him. I could
see through the glass doors that he was there with Gary. Gary pulled a gun on
him. By the time I’d opened the security door, my brother was on his way to the
stairs after telling my receptionist to call the police.”
“Did Gary say
anything to you?”
“No, I was too
far away.” He stopped and furrowed his brow. “I did notice he was wearing a
tacky, plastic-looking jacket.” His nose wrinkled. “And it looked like it had a
matching black vest under it.”
The captain
shot a meaningful glance at Claire, but she pretended not to see. “What do you
mean? What did it look like?”
Vince
shrugged. “Like I said, I didn’t get a good look at it. It just looked like he
was trying to cover up a beer belly, which was odd since Gary is fairly fit.”
He smoothed his tie, obviously relieved he didn’t have a belly to speak of.
Claire doubted he owned any tacky jackets, either.
Now, more than
ever, she needed to get up on that roof. She walked over to Steve. “Do we have
any info from Bart or Colby yet?” She kept her voice low. Her two other team
members should be in position by now and having eyes on the hostage-taker would
tell her if there was a bomb up there or not. But Steve shook his head.
“They’re still trying to get a good angle.”
She moved back
toward her original position near the table, rolling her shoulders. “Can you
tell us anything else about Gary’s personality, Vince?” She turned back to the
phone, ready to try again.
Vince shook
his head. “I’ve already told you all I know. We need to get up there and get
Rafe out.”
Claire nodded
her head. “We will, Mr. Kelly. I just have a few more questions.”
Vince scrubbed
his hands over his face. “Like what?”
“You said your
brother was here for a meeting. Does he work here?”
“No, Rafe is a
Navy SEAL, pretty highly decorated. He’s only here on leave while he recovers
from an injury.”
Claire mulled
that information over. “What kind of injury?”
“A knee
injury.” Vince shoved a hand through his hair. “Are we going to sit around and
talk all day or do something? Maybe I should go up on the roof. Maybe if he saw
me, Gary would give up or talk to me.”
“I’m going up
on that roof, Mr. Kelly, and I’ll do everything I can for your brother, but
first I need to make sure I have as much information as possible. Can you
describe your brother for me?” Claire prodded.
“About 6’2” I
guess,” Vince said, finally sitting down in a chair.
“Eye color?”
“I have no
idea. I don’t stare into his eyes all that often. Green maybe? Blue?” He stood
back up and started pacing. “Listen, shouldn’t you be talking to him? What if
Gary’s done something to him already?” He reached for the phone headset Claire
had left on the table. “I should try to talk to him again.”
Claire noticed
Vince was getting more agitated the more they talked, his pacing picking up
speed. It was time to get him out of here, so she could concentrate on his
brother.
The captain
must have come to the same conclusion. He motioned for Vince to follow him to
the door. “That won’t be necessary. Detective Michaels has been trained for
this situation. We’d like to keep you close by in case we need you, so why
don’t you go down to our mobile unit and stay there. We’ll keep you apprised of
any developments.” Vince looked like he was about to argue, but with a glance
at the captain, he capitulated and was handed off to an officer right outside
the door.
As soon as
they were gone, the captain turned to her. “We’re not taking any chances.
Steve, get down there and make sure the entire building and surrounding blocks
are evacuated.” He stood over Claire, the commanding tone leaving no room for
argument. “We’re relocating to the mobile unit and if Colby gets a shot he’s
going to take the subject out.”
“No. Not yet.
That’s always a last resort. You’ve got to let me go up there,” Claire knew she
had to try one more time. “We don’t know for sure if that vest is a bomb, but
if it is, I just trained on this. I can handle it.”
“That was one
seminar, Claire.”
“One very good
seminar.” She gave him a half-smile. “Trust me.”
He chewed on
his bottom lip. “You’re not going to let this go, are you?”
She shook her
head. This was too important. Putting the mic to her mouth again, she spoke to
Gary, but her eyes were on Captain Reed. “Gary, I want to come up and talk to
you. Just talk. I’ll be unarmed and I’m trusting you, okay?”
He didn’t
respond, so Claire kept talking. “I’m here for you, Gary. Anything you need.
You just have to be willing to talk to me.”
There was
silence once again before she heard the familiar rhyme start up, his voice
stronger this time. “Ring around the rosy, a pocketful of posies, ashes, ashes,
we all fall down.”
“Okay, I get
that you don’t want to talk right now. Is Mr. Kelly all right? Can I talk to
him?”
Claire could
hear some scuffling and she clenched her teeth in frustration. He was
definitely a unique case by virtue of the repeated nursery rhyme alone. What
was he trying to tell her? To take cover? Did he really have a bomb vest up
there? Something else was going on here and she needed to look this guy in the
eyes, see how close he was to the edge. She’d never wanted to see someone as
badly as she wanted to see Gary.
“Claire, I
want this taken care of as much as you do,” her captain said, his tone
softening.
Claire merely
nodded, her entire focus on Gary. She could hear his breathing, shallow and
fast and she knew the adrenaline was rushing through him, just like it was
running through her system. “Gary? Is everything okay?” She shot a quick prayer
heavenward. Please, God, let him listen a little longer.
After a long
pause, Gary finally started to whisper the rhyme again and Claire swallowed
hard, grateful to hear it. As long as he was reciting that rhyme, he was still
alive and they had time to get the hostage out safely.
The captain
grabbed the rumpled papers and read off their laundry list of information for
the millionth time, his normally calm demeanor cracking a bit. “We need more.”
His voice was
low and tightly controlled, but Claire could hear the frustration.
“If it’s PTSD,
we have a chance to talk him down,” Claire said. “He was probably seeing a
counselor so we need to figure out who that was so we can get them on the
phone.” She paused. “I can go up and get him talking while you’re gathering
more information. We’ll keep the team in position with him in their sights.
I’ll be fine.” Claire folded her arms over her chest and stared directly at the
captain.
The captain
wasn’t a man that let many people question his orders, but Claire had been part
of his hostage negotiation team for so long, he cut her a little slack. He’d
always trusted her instincts before and she’d proven herself on the job. She
knew what she was doing, but for some reason the captain was in protective mode
today. They all knew situations like this could get out of control in the space
of a heartbeat, but in this instance she had a gut feeling and not being able
to follow it was making her crazy.
Captain Reed
ran his hand over the short gray stubble on his head, his military-style
haircut the same today as it had been the day she’d met him six years ago. He
obviously didn’t want to give in and let her go out, but he was warring with
the fact that he wanted this thing taken care of as soon as possible. “Okay,
but I want you to stay on a safe perimeter, especially if there’s an explosive
involved. Don’t get too close¾this guy’s on the edge. Literally.”
Claire nodded,
a small smile lifting her mouth at her captain’s gallows humor. She quickly took
her headset off mute before she spoke. “I’m coming out right now, Gary. And
since you’ve been out there for a while, I thought I’d bring you a drink of
water,” she told him. “Do you think you can come away from the edge? It’d sure
be nice to have a cold drink where it’s not so breezy.”
She didn’t
receive an answer.
She set the
headset on the table behind her, watching curiously as Captain Reed looked over
a piece of paper Steve had just handed him. “Do we have any water bottles?”
He nodded his
head and wordlessly handed her the paper. The message said her father had
called. Twice. What’s that about? Claire pressed her lips together in a
tight grimace. Her dad was the chief of the National Clandestine Service, which
didn’t give him a lot of time to actually be a dad. What would make him call
now? Was it something to do with this case?
Captain Reed
walked over to the corner of the room while she read, picking up a Kevlar vest
for her. Handing it over, he watched as she crumpled the note. “I don’t like
this, Claire. Something doesn’t feel right.”
“Yeah, NCS
could add another layer to this thing. I mean, involvement by any part of the
CIA gives me a headache. You know how those guys are.” Claire shook her head.
Maybe her father was just worried about her. But he would know she was working.
As soon as Vince had said Rafe Kelly was a highly decorated SEAL, it had
crossed her mind that he could be part of any number of elite groups that
tapped the SEALs including the CIA and its arms. But then again, there were a lot
of decorated soldiers. It didn’t always mean they were paramilitary. Her mind
went back and forth.
“If it’s about
this case, I wonder how they got wind of it so fast,” her captain mused,
reading her thoughts, watching her face.
Claire took
off her duty belt and handed it to the captain. She felt bereft as the weight
from her belt was taken off her hands. Should I take a gun up there just in
case? As soon as she thought it, she dismissed the idea. Trust with the
hostage-taker was essential.
“Claire, did you
hear what I said?”
“About them
getting wind of it?” Claire lifted a shoulder. “With NCS, or anything even
remotely to do with the CIA, I’ve learned not to ask questions. You never get a
straight answer, anyway.” She put the NCS and her father’s interest out of her
mind as she slipped the vest on over her favorite blue blouse, placing the
small microphone so the team could hear the negotiation. Normally she would
have protested the Kevlar, but the captain was right. Something was off about
this and Claire definitely wanted the extra protection. She wished now, though,
that she’d changed her shirt before she headed over here. The Kevlar would more
than likely leave wrinkly vest marks and she had plans for later.
“Axis is
working with the government somehow, but I can’t get a straight answer out of
anyone what they’re working on exactly. Maybe that’s what your father’s call is
about,” Captain Reed said, worry coloring his tone as he bent to help her with
the last Velcro strap. “Just watch yourself out there.”
Claire nodded.
“Don’t worry. I don’t think he wants to kill his friend. I think it’s some sort
of PTSD episode.” She ran a hand down the vest. “We can do this.”
Her captain
gave her a hard pat on the shoulder just as an officer came through the glass
door to hand her three bottles of water. She held onto them, letting the chill
seep through her for a moment. Taking a breath in through her nose and letting
it out through her mouth, she envisioned the outcome. Hostage safe,
hostage-taker in custody. Everyone fine.
With one last
breath in she tried to unravel the knot in her stomach and right then, she was
glad she’d worked through lunch. It wouldn’t foster any confidence in her
abilities if she threw up right before she went out on the roof with a hostage.
I’ve got this. With a quick nod to herself and a roll of the water
bottles in her hands, she started toward the door that the captain was holding
open for her. He looked worried, so she tried to give him a reassuring smile.
“I don’t think anyone’s going to die today if it makes you feel any better.”
“Nobody had
better,” he said under his breath. “Not on my watch.”
Claire
chuckled softly. “So it’s all about your pride then?”
“No, it’s all
about getting too old for this.”
He looked
genuinely concerned, which gave Claire pause since the captain was well known
for his poker face on operations. “Captain?”
With a wave
and a shake of his head, he went back to business. “We’ll have you covered.
Should Steve try to make contact with him from mobile command?”
“Thanks, but
no. Just have him listen and learn on this one.” Steve was a quick learner, but
he still had a ways to go.
She headed
down the hall toward the door to the roof. Pushing through it, she let the door
close before she began climbing the concrete stairs, her captain’s face running
through her mind. Don’t let it spook you, she told herself firmly. Focus.
Claire reached
the top and opened the metal door before heading across the roof. With a glance
at the sky, she saw the puffy clouds from this morning had turned dark and the
breeze was cold. Please, don’t let it rain, she said silently, sending
one more prayer heavenward. That would make a miserable situation even worse.
She smoothed
down her ponytail, the wind chasing some loose strands around her face before
she could tuck them behind her ear. Running her hands over the condensation
from the water bottles, she took a look around, trying to get her immediate
bearings. In a short sweep, she could see the rest of the team in her
peripheral vision—Bart and Colby to her left and right, respectively, in
position on the far sides of the roof and ready to go tactical if needed. It
made her feel better seeing them there. They’d been together on the team for so
long, they felt like her older brothers.
Straight ahead
was her target and she strode toward the two men very near the edge of the
roof. Both men were stone-still, watching her. One man was kneeling down, his
broad shoulders pulled into a military posture. Crisp. Like he was ready to
salute, even though he had a gun to the back of his head, execution-style.
She stopped,
suddenly flashing back to the image of her brother kneeling in that same
position, the man above him holding a gun to the back of Luke’s head while he
read a list of demands. Her heartbeat accelerated. This isn’t Luke.
Although the hostage in front of her wore the same expression on his face that
her brother had¾perfectly calm. He didn’t look scared, just thoughtful.
Thrown a bit,
Claire forced a smile to her lips, even though the tension in her muscles
ratcheted up a notch. And while she’d been expecting to possibly see a homemade
bomb strapped to Gary, as she got closer, she was surprised to see a
sophisticated black ball, a blinking light, and several canisters attached to
it peeking out of his halfway zipped, over-sized jacket. Vince’s words came
unbidden to her mind. Explosives expert.
This was
obviously worse than she’d thought.
Saturday, October 13, 2012
Bonus Book Review: A Candlelight Courting
It's a cold and dreary day today so I snuggled up with a good book and it was so good I want to tell you all about it.
It's A Candlelight Courting: A Short Christmas Romance by Joyce DiPastena. As you all know I'm a big fan of Joyce's medieval romances. She transports you back in time and is such a skilled storyteller I will gladly give up sleep or food to see what happens next in her books. This one is no exception, but since it's a short story, I didn't have to give up either sleep or food and still had all the benefit of getting lost in a story.
Meg has decided to become a nun, but her father disapproves and wants her to marry. He takes away her rosary and prayer table and brings a man to her chamber to change her mind. Burthred wants to marry Meg, but is unsure of how to approach her since she has refused to see him to this point. I loved the characters and the story between them and it's true, I sighed a bit over Burthred (in spite of his name.)
This book will definitely make it to the stockings of my romance-loving friends and family as well as have a place on my keeper shelf.
Here's the back copy:
When Burthred comes courting on Christmas Eve, Meg rejects his advances. She has her heart set on becoming a nun and insists that he call her Christina, the spiritual name she has chosen for herself. She tries to make him swear on her box of holy relics that he will not pursue her, but he carefully words his oath to allow him to stay in her candlelit chamber and try to change her mind.
What Meg does not confess is that her reliquary box holds a secret.
Burthred needs a wife, and no one will satisfy him except Meg. He swore on his father’s deathbed that he would marry her. But Burthred has a secret, too. When they come together before the Yule fire, their shared revelations will either join their hearts together or tear them apart.
It's A Candlelight Courting: A Short Christmas Romance by Joyce DiPastena. As you all know I'm a big fan of Joyce's medieval romances. She transports you back in time and is such a skilled storyteller I will gladly give up sleep or food to see what happens next in her books. This one is no exception, but since it's a short story, I didn't have to give up either sleep or food and still had all the benefit of getting lost in a story.
Meg has decided to become a nun, but her father disapproves and wants her to marry. He takes away her rosary and prayer table and brings a man to her chamber to change her mind. Burthred wants to marry Meg, but is unsure of how to approach her since she has refused to see him to this point. I loved the characters and the story between them and it's true, I sighed a bit over Burthred (in spite of his name.)
This book will definitely make it to the stockings of my romance-loving friends and family as well as have a place on my keeper shelf.
Here's the back copy:
When Burthred comes courting on Christmas Eve, Meg rejects his advances. She has her heart set on becoming a nun and insists that he call her Christina, the spiritual name she has chosen for herself. She tries to make him swear on her box of holy relics that he will not pursue her, but he carefully words his oath to allow him to stay in her candlelit chamber and try to change her mind.
What Meg does not confess is that her reliquary box holds a secret.
Burthred needs a wife, and no one will satisfy him except Meg. He swore on his father’s deathbed that he would marry her. But Burthred has a secret, too. When they come together before the Yule fire, their shared revelations will either join their hearts together or tear them apart.
Friday, October 12, 2012
First Page Friday
I can't believe it's Friday already! This week has flown by. I hope you enjoy this installment of First Page Friday with an entry from a British author.
As always, I'd like to thank our author and editor for their hard work. See you next week!
The Entry
Ms. Shreditor's Comments
As always, I'd like to thank our author and editor for their hard work. See you next week!
The Entry
The
Frost Jack
Jack
took a step towards the five boys who’d arrayed themselves in a
menacing line before him. His Etnies came away from the ground with a
sticky crackle. Squinting into the glare of the midsummer sun, he
wondered whether the heat had melted their soles.
“You’re
dead, Summers,” snarled a podgy figure from the centre of the
bullies.
“Get
lost, you oick,” Jack growled back, glad that his voice didn’t
betray his racing heartbeat.
The
bully stomped forward. “Think you can take on five of us?” he
jeered. “You’ll be mincemeat by the time we’re finished with
you.”
His
shadow loomed large across the wall of the old fives court. Nobody
could remember the rules of the game anymore and the secluded spot
behind the quadrangle had fallen into disuse, becoming the bullies’
kingdom, the place where smaller kids were chewed up and spat back
out, usually without their pocket money. Jack gritted his teeth and
held his ground, as anger built up inside him. Another crackle came
from under his feet, but this time it sounded like glass fracturing.
A
bead of sweat began to form on the bully’s lardy forehead and he
stopped only a step away to glance back over his shoulder. His four
friends grinned and grunted at him and he turned back to face Jack
with his piggy little eyes full of malice.
“Come
on, then,” Jack snarled.
“You’re
going to regret this, Summers!” the bully shouted and then he
lunged forward and swung a meaty fist in a gigantic arc aimed
straight at Jack’s head.
Ms. Shreditor's Comments
Note: Julie mentioned to
me that
the author is British, and I’ve taken that into account as
I’ve
reviewed this piece. There is some British slang and vocabulary herein,
but I was able to decipher most of it with the help of the surrounding
text.
What I like about this piece is
that it presents a hot-button young adult issue from the outset. The story begins
as Jack faces off against a herd of schoolyard bullies. The stakes are
immediately high, and the bullies waste no time homing in on their outnumbered
target. Perhaps most poignant in these first paragraphs is Jack’s racing heart;
in the face of intimidation, he does his best to put on a brave face despite
his overwhelming fear. This vulnerability is bound to resonate with teen
readers, many of whom have likely experienced bullying behavior.
I also like the setting. The story
turns an otherwise innocuous location, a fives court, and makes it menacing.
The shadows add to the ominous ambience. As the shadows and bullies descend, Jack
plants his feet again and prepares for confrontation.
What I found interesting was the
way the ground beneath Jack’s feet changed with his resolve. At the beginning
of story, he is terrified, and his shoes melt against the hot pavement as his
fear intensifies. Later, as he builds his confidence and prepares to face off
against the group, we experience the shattering of glass beneath his feet. This
shift from melting soles to shattering glass symbolizes (at least to me) a
certain strengthening of his resolve. He wavers at the beginning and reaches a
breaking point by the end.
This first page sustains a high
level of suspense throughout. From the outset, we’re holding our breath as the
author sets up the imminent confrontation between Jack and the bullies.
Although the narrative is suspense-driven, we learn a little bit about Jack
through his racing heartbeat and mounting anger. This first page happens to end
with a fist flying toward Jack’s face, and this is impetus enough for the
reader to continue to the next page . . . and the next.
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